For those of us who know the words to “star shopping,” the line, “shoutout to everyone making my beats u helpin me preach/this music’s the only thing keeping the peace when I’m falling to pieces,” really captures the thread that ties together the songs of LIL PEEP; PART ONE. The producers, and their beats sent via SoundCloud, Twitter, texts, and emails, sustained Gus during a low point in his relationship with his girlfriend, Emma. During that time he developed his skills as a creator of music and as a lyricist. This intense work also helped him get through a time of estrangement from Emma. Writing and singing his lyrics was cathartic for him.
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Gus made Teen Romance over the span of about a month. He made it during an exciting and transitional time in his life—the spring of 2016. Just months before, he had flown to Tucson to perform for the first time with Schemaposse, and then ended up staying in Denver for just about the entire month of March. It was there that Gus met his good friends and collaborators, Yung Goth and LeDerrick.
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From July 27 to August 10, Gus and Makonnen had completed the first fifteen of what would be twenty-one songs and would later be known as the “Diamonds” project. They had completed these songs in Los Angeles. Makonnen had invited Gus, Smokeasac, Fish Narc, and Yung One Era to the Electric Feel studio on Sunset Boulevard. The studio had been new to Gus, and the music was a very new style for him to “hop on.” He had loved every minute of it.
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Gus was feeling good when he released Live Forever. He dropped the mixtape just before midnight on December 2, 2015--pretty soon after Thanksgiving.
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We know that Gus deleted the garage band (original) versions of many of his first songs, so for those songs all we have are the bounces. As he developed fluency with the equipment and his process, he “bounced” a song pretty much as soon as he composed it. But, in the beginning, he likely did not. We know this because we can hear him playing a song on his iPhone fully one month before our first documented record of the song on his computer—the “bounce.”
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Two nights. Two songs. It was a wonderful experience for Gus, one that he expressed such pride about. He really was so proud to be able to make music with Harry Fraud.
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